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"God help us — for art is long, and life so short." —Faust

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palazofhoon
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3d

“Ivan Petrovich returned to Russia an Anglomaniac. With his hair cut short, the starched frill on his shirt-front, the pea-green frock-coat with its multitude of collars, a sour expression on his face, something both brusque and negligent in his manner, the pronunciation of words through his teeth, a sudden wooden laugh, lack of smiles, exclusively political and politico-economic talk, a passion for underdone roast-beef and port wine—everything about him literally reeked of Great Britain; he seemed to be entirely saturated in its spirit.”

—Chapter X (tr. Richard Freeborn)

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theteachesofleeches

4d

“The Hergesells suffered under the atmosphere they were obliged to live in at Erkner. But they told themselves and each other that it didn’t concern them and that nothing could happen to them, as they were doing nothing against the State. “Thoughts are free,” they said — but they ought to have known that in this State not even thoughts were free. So, increasingly, they took refuge in their happiness as husband and wife. They were like a pair of lovers clasped together in a flood, with waves and currents, collapsing houses and the bloated corpses of cattle all around them, still believing they would escape the general devastation if they only stuck together. They had failed to understand that there was no such thing as private life in wartime Germany. No amount of reticence could change the fact that every individual German belonged to the generality of Germans and must share in the general destiny of Germany, even as more and more bombs were falling on the just and unjust alike.”

—Narrator

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theteachesofleeches

4d

“One writes of scars healed, a loose parallel to the pathology of the skin, but there is no such thing in the life of an individual. There are open wounds, shrunk sometimes to the size of a pin-prick, but wounds still. The marks of suffering are more comparable to the loss of a finger, or of the sight of an eye. We may not miss them, either, for one minute in a year, but if we should there is nothing to be done about it.”

—Narrator

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boreads

5d

“Because brains packed with knowledge are yummy, that’s why. They’re nice and creamy. And sort of grainy at the same time.”

—Sheep man

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boreads

5d

“At the same time, my anxiety had turned into an anxiety quite lacking in anxiousness. And any anxiety that is not especially anxious is, in the end, an anxiety hardly worth mentioning.”

—boy

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jejune

6d

“Not even in a world of miracles, and only if the world is yours alone, can you pray the past away.”

—Renata Adler

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jejune

6d

“I guess I’ve been high maintenance in just this sense: that you’ve given me more time, on those rides, business travels, visits in the interstices of your life, than you ever planned to give. What you’ve done, though, is to arrange your life so that all the things with a little joy or beauty in them were the things in which I had no part.”

—Renata Adler

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jejune

6d

“And there it is. Because if these were not failures of love, on your part or on mine, or failures of generosity, or at least of imagination or attention, well, of course, they were, and I didn’t want to know. And though I know my heart cannot have been broken in these things, these things of my house and of yours, no, it can’t have been, I’m sure it was not, I find that I am crying as I write, because, it cannot either, can it? have cost so much to say in some of these things, or in some others sometime, not grudgingly, and without reluctance, Yes.”

—Renata Adler

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jejune

6d

“Look, the sun is a sort of bribe, you know, and so is a heavy thunderstorm or a snowfall. So is a dawn, though not I think a sunset. So is a warm bath or a shower, and a sound sleep. Bribes all, in the conspiracy of everything to continue to exist.”

—Renata Adler

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jejune

6d

“Why did You bid me drown the letter? I have lost something that he touched, and the destruction of it has gained You nothing, for now I no longer read the words, I hear them, as if he implored me face to face. peak to me, Jacob, do not play the tyrant. Speak to me.”

—Jacob

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jejune

6d

“How did men make themselves loved, I wondered. I had passed all my life with men who were loved but I seemed never to have learnt the lesson.”

—Jacob

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jejune

6d

“I start the dough in the evenings and let it rise all night. I like to get under the covers knowing that out there another covered body lies awake, working on my behalf.”

—Boulder

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jejune

6d

“I hate cleanliness that presumes perfection, I hate perfection worn like a smock over your Sunday best. My life with Samsa has turned into the same kind of façade, the day devoted to heaven, when no one goes to work and everyone smiles, the day when no one is allowed to touch. I don’t believe in this island and I don’t believe in happiness, or in relationships, or in children, or in God.”

—Boulder

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jejune

6d

“I let myself be strung along; life develops without overwhelming me, it squeezes into every minute, it implodes; I hold it in my hands. I can give anything up, because nothing is essential when you refuse to imprison life in a narrative”

—Boulder

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jejune

6d

“Whether or not he was “worth it” is of no consequence. And the fact that all this is gradually slipping away from me, as if it concerned another woman, does not change this one truth: thanks to him, I was able to approach the frontier separating me from others, to the extent of actually believing that I could sometimes cross over it”

—Annie Ernaux

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jejune

6d

“Children will always refuse to see the truth reflected in their mother’s absent stare and silent behavior: at times they mean nothing to her, in the same way that grown-up kittens can mean nothing to a mother cat longing to go on the prowl.”

—Annie Ernaux

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jejune

6d

“Sometimes, especially when Lol was not at home, John Bedford must have been struck by this impeccable order. By this taste, too, this cold, ready-made taste. The decoration and furnishing of the bedrooms and living room were the faithful facsimile of model rooms displayed in store windows, and Lol's garden was the replica of all the other gardens in Uxbridge. Lol was imitating someone, but who? the others, all the others, as many people as possible. On afternoons when she was not there, didn't her house become the empty stage upon which was performed the soliloquy of some absolute passion whose meaning remained unrevealed? And wasn't it inevitable that John Bedford was sometimes afraid of it? That it was here that he had to be on the lookout for the first sign of thaw, of the winter ice breaking? Who knows? Who knows if he heard it one day?”

—Jack Hold

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jejune

6d

“Prodigious spectacle, perennial postcard, transcendental cinema, scene of scenes: to see a madwoman go mad. It’s like seeing God.”

—Cesar Aira

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jejune

6d

“Memory makes things felt, heard and seen rise into the light, a bit the way a bolus of grass rises again in a ruminant. It may be chewed, but it is neither digested nor transformed. (Boulez)”

—Cesar Aira

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chocolatine_volante

9d

“Ce n'est plus l'amant fidèle et malhereux, recevant les conseils et les consolations d'une amie tendre et sensible ; c'est l'accusé devant son juge, l'esclave devant son maître. Ces nouveaux titres imposent sans doute de nouveaux devoirs ; je m'engage à les remplir tous. Écoutez-moi, et si vous me condamnez, j'y souscris, et je pars. Je promets davantage ; préférez-vous ce despotisme qui juge sans entendre ? vous sentez-vous le courage d'être injuste ? ordonnez et j'obéis encore.”

—Le Vicomte de Valmont

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